Still Life with Gumball Machine Print by Lindsey Cherek Waller
9 x 12 print on archival matte paper of a painting name ‘Still Life with Gumball Machine’ by Lindsey Cherek Waller
About the artist: Lindsey is a queer, non-binary, rural artist. “As a queer, non-binary artist living in the rural Midwest, a lot of my work focuses on creating a kind of blueprint for the community-focused world I want to live in. I often say that my work centers pleasure and joy beyond what capitalism allows, because systems like capitalism rely on hyperindividualism, isolation, and binary ideas like gender to function. I want my work to show us the infinite alternative possibilities of real futures where rural queer communities can thrive, while also archiving our existence in the present moment. Queer artists have always existed in rural landscapes, and my work will document that truth and that joy in history.”
9 x 12 print on archival matte paper of a painting name ‘Still Life with Gumball Machine’ by Lindsey Cherek Waller
About the artist: Lindsey is a queer, non-binary, rural artist. “As a queer, non-binary artist living in the rural Midwest, a lot of my work focuses on creating a kind of blueprint for the community-focused world I want to live in. I often say that my work centers pleasure and joy beyond what capitalism allows, because systems like capitalism rely on hyperindividualism, isolation, and binary ideas like gender to function. I want my work to show us the infinite alternative possibilities of real futures where rural queer communities can thrive, while also archiving our existence in the present moment. Queer artists have always existed in rural landscapes, and my work will document that truth and that joy in history.”
9 x 12 print on archival matte paper of a painting name ‘Still Life with Gumball Machine’ by Lindsey Cherek Waller
About the artist: Lindsey is a queer, non-binary, rural artist. “As a queer, non-binary artist living in the rural Midwest, a lot of my work focuses on creating a kind of blueprint for the community-focused world I want to live in. I often say that my work centers pleasure and joy beyond what capitalism allows, because systems like capitalism rely on hyperindividualism, isolation, and binary ideas like gender to function. I want my work to show us the infinite alternative possibilities of real futures where rural queer communities can thrive, while also archiving our existence in the present moment. Queer artists have always existed in rural landscapes, and my work will document that truth and that joy in history.”
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